LOVE the new J Brand Houlihan zip cargos...mainly because the pockets don't fluff out crazy like they do in typical cargo pants. Slim fit, chic, nice zipper detail. I picked them up at Noni on Larchmont Blvd (one of my favorite clothing boutiques in Los Angeles):
Noni
225 N Larchmont Blvd
Los Angeles, CA 90004
(323) 469-3239

LBD

Little Black Dress
One of our interns recently asked me for advice on where to best spend a limited wardrobe budget. I couldn't help but smile because I was about to give her the same answer a Diva once gave me...and the same answer that fashionistas have been passing down to one another since Coco Chanel designed the first "little black dress" (LBD) in the 1920's.
The LBD is a simple, elegant, timeless, and often short dress that is the essential staple in every woman's closet - so when starting or refreshing a new wardrobe...this is where you begin. It's important to remember that when you are choosing your LBD to keep it classic. It's meant to last you for a number of years, so avoid anything too particular, trendy, or seasonal that will appear dated by next year.
The simplicity of the LBD allows you to dress it up or down depending on the occasion. Heels or flats, a blazer, great sunglasses, and an over-sized bag make it chic for work. Yet the same dress accompanied with more ornate jewelry and accessories, an elegant shawl, an up-do or nice blow out, and a small clutch makes it perfect for any evening out.

From students to celebs to First Ladies, the Little Black Dress is tried and true and here to stay...

Street Fashionista: Laura Burkitt | Location: Sydney, Australia | Dress: Dion Lee Slit Dress | Photo by: Phil Oh | Courtesy of Street Peeper

Sunglasses: Tom Ford sunglasses | Platform Sandals: Prada | Necklace: Tuleste Market necklace | Bag: Yves Saint Laurent bag | Photo by: Kelly Stuart | Courtesty of Elle

Location: Corso Venezia, Milano | Dress: Burberry | Photo courtesy of: Sartorialist

Location: Milan, Italy | Photo by: Tamu McPherson | Courtesy of: Refinery29

Location: London | Heels: Christian Louboutin | Bag: Zara | Photo & Blog: Vanessa Jackman

Monica Cruz

Noemi Watts

Victoria Beckham

Anne Hathaway

Gwyneth Paltrow

Famke Janssen

Carla Bruni

Michelle Obama

Are you tired of untagging yourself from unflattering Facebook photos? I am. I know that models get a bad wrap for having an "easy" job -- but if you're like me, you'll agree that it's not entirely that easy to look comfortable in a photograph.
Here are some of my go-to photo tips that I thought might be helpful:
1 - TONGUE UP: When posing try to keep your tongue firmly pressed against the roof of your mouth. This will help make your face slimmer and cut down the double chin action.
2 - ANGLE, STRETCH, AND REST: Turn your head at an angle so that 3/4 of your face is exposed to the camera and then lift your neck and slightly tilt your head down (as if you were putting your chin on a shelf). This improves facial definition and helps stretch out the wrinkled and flabby areas of your neck.

"Rita Hayworth gave good face" - Madonna, Vogue.

3 - BE SHORTER THAN THE PHOTOGRAPHER: Position yourself so that the camera is slightly above your eye level. This will hide a double chin  fairly effectively. If someone tries to shoot a closeup of you from a lower angle...kick them.
4 - STRAIGHTEN UP: Sitting or standing up straight will make you look healthier - just remember to breath naturally (holding your breath for a photo is a sure fire way to make you look like a weird mannequin) and relax your shoulders.
5 - GET INTO CHARACTER: The eyes are truly the windows to our souls. They don't lie - so if you're feeling uncomfortable or bored or hesitant, it will show in the photo. Try imagining you have a "secret". Thinking of a "secret" will give you a subtlety alluring look.
6 - DON'T TALK: If you're in a public setting (entering an event, walking red carpet, etc...) where you know your picture will be taken by lots of people in a short period of time...don't walk and talk unless you want to go out of your way to look awkward in the photos...and obviously don't chew gum.

7 - HOLD THE CAMERA: My personal favorite. If you're not in the mood for a group photo, be the one to take it.

Is it me or are shorts considerably shorter this Season? This season first embraced lingerie as outerwear and now it seems like short shorts (boy shorts, hot pants, tap pants, daisy dukes) are trending in a big way. So my first question is..."How many people can actually pull this off?"  .... and my second question is "How old is too old to wear short shorts?"
Answer #1 - How many people can actually pull this off?:  Apparently not many because I see the supermodels rockin' the look on the runway and in magazines, but haven't seen that many out at The Grove on a Sunday pushing baby strollers. After all, unless you are an Uber Fashionista these things are difficult to pull off as "classy". You'll definitely get attention - but it might not be the kind you were looking for.
Answer #2 - How old is too old to wear short shorts?:  Beachwear, working out gear, and maybe casual weekend gardening attire is one thing. But personally I feel that once you graduate college, you should un-tag all your Facebook party photos, get a job, and leave your hot pants and school girl plaid skirts behind in your dorm room.
But I do concede that for every rule, there are always exceptions - Giselle Bundchen for one. After all, I think that hot pants are as much "leg appropriate" as they are "age appropriate". So I have absolutely no problem with them at any age if you have the right legs, taste, accompanying job, accompany wardrobe, and appropriate booty to pull off hot pants as "sophisticated"....and as a general side note: if you're going to show a lot of skin below, it's best to look elegant on top. 

But for most of us over 22, I would suggest perfectly cut (right above the knee cap) city shorts for everyday and professional use.

In most cases for most of us over 22, I would suggest perfectly cut city shorts for everyday use.

The purpose of drapery in interior design is not necessarily just to create privacy. In most projects I use them to "frame" the windows, enhance a view, and "complete" a look.

Many people feel that draperies are unnecessary in areas where they may have an amazing view and don't require privacy. But unless you have spectacular and groundbreaking architecture that would be compromised, draperies will actually bring more attention to your view -- similar to framing artwork.

I will often use black-out woven woods for privacy, and leave the drapery panels stationary.

See you next Tuesday for another Design Tip.  You can also view previous Tuesday's Tips here.
 

The now-controversial commercial features model, Ashley Grahm of Ford Models.

ABC and the clothing company Lane Bryant are locked in a war of words  after the retailer accused the network of refusing to run ads for a new line of lingerie because it focused on full-figured women.
For almost a century, Lane Bryant has been selling clothes to full-figured women. So when the company came out with a new line of lingerie, the company decided to  sex up their ad. Apparently it was a little too sexy for a couple of networks. The ads have not aired. Lane Bryant claims that's because of a bias against full-figured women.
A woman in the ad is curvy, graceful and showing off her assets.
"I think it's tasteful, it's elegant. I mean, I've seen much worse," said Kari Nevil of Burbank.
"We knew the ads were sexy, but they are not salacious," said a Lane Bryant spokesperson in a blog. "Our new commercials represent the sensuality of the curvy woman who has more to show the world than the typical waif-like lingerie model."
The last comment was directed toward Victoria's Secret, whose ads Lane Bryant says frequently air during primetime on ABC and Fox.
"It's definitely a double standard," said Ciara Jandreau, Burbank. "I think that if they get on the Victoria's Secret models for rolling around half-naked, they should definitely let anyone confident enough to do it. I think they should just let them."

The networks are firing back. Fox said the network is planning to air the ad, just with some minor edits, something  they do with other commercials. ABC officials flat out deny the claim.
"Their statements are not true. The ad was accepted. Lane Bryant was treated absolutely no differently than any advertiser for the same product. We were willing to accommodate them, but they chose to seek publicity instead," ABC said in a statement.
And publicity  it is getting, from New York Post calling it "boob-tube bigotry" to the buzz on the street.
"I saw it and I was just like, 'Oh wow, now  I want to buy one,'" said North Hollywood resident Myra Venegas.
After all of this controversy, Fox said it will now air the ad next  week without edits. The ad was originally supposed to air this week on ABC during "Dancing With the Stars," but now it's still unclear when the network will be airing that commercial.
By Subha Ravindhran
(Copyright ©2010 KABC-TV/DT)

Fashion designer Tala Raassi poses for a portrait in Vienna, Virginia. Photo Credit: Melissa Golden/Redux

One of the most remarkable and under-reported stories in Iran is the strength and character of its women’s movement.  Women continue to be both targets of persecution and agents of change.

After having won some portion of equality in the 70s, all those gains were taken away when the revolutionary government came to power in 1979.  Since then, women were eliminated from all decision-making positions within the government, dress requirements were enforced, and women’s organizations were declared corrupt and disbanded.  Today there is a growing urban, middle class that is making slow progress by situating women’s rights within the cultural framework of Iran….so that its decisions will reflect a true representation of its “people”.

Here’s an article on fashion designer Tala Raasi from Marie Claire I thought was important to post:

The crime? Wearing a miniskirt—in the privacy of a  friend's home—in Iran. As protesters increasingly take to the streets to  oppose the oppressive regime, Raassi, now a fashion designer in the  U.S., describes the punishment that changed her life.
By Tala Raassi as told to Michele Shapiro for Marie Claire.

There’s a memory that has defined my life: I'm standing in line in a long, dark hallway, handcuffed to a friend, while listening to the horrifying sound of two other friends screaming out in pain. I'm in a jail in Iran's capital, Tehran, and I'm about to be served my punishment: 40 lashes. My friends emerge from a room down the hall, tears streaming down their faces and blood staining the backs of their shirts. I can barely breathe as I wait for the guards to call my name. Finally, it's my turn. My friend and I, still cuffed, enter the torture room together.

Two expressionless, middle-aged female guards, each dressed in a chador, or long black robe, remove our cuffs, then instruct us to lie facedown on a pair of bare mattresses. We will be lashed on our backs. The guards grab two black leather whips and dip them in water, to make the lashes sting. I turn my head and see them raise the whips high in the air, then I squeeze my eyes tight, terrified. The first of 40 lashes comes down hard across my back. I feel a shock of searing pain. I'm wearing a cotton T-shirt, which you'd think would be preferable to wearing nothing at all, but I soon learn that it's actually worse. As the lashes come down one after another, the T-shirt starts to stick to the cuts on my back; the whip pulls the shirt away from the welts after each lashing, intensifying the pain. I keep thinking, I can't believe this is happening to me. I'm a good student; I come from a great family. I'm not a criminal.

Photo credit OLIVIER LABAN-MATTEI/AFP/Getty Images

The worst part is knowing that my family members, who are sitting right outside this room, can hear the lashing. The emotional pain is almost worse than the physical pain.

It all started five days earlier, the day of my 16th birthday. My Sweet Sixteen began as it should have: sweetly. Two of us drove to a good friend's house for my party. I was wearing what any traditional young Iranian woman would wear: a scarf over my hair, a black coat, and pants underneath my skirt. When I arrived at my friend's house, I shed my layers, wearing just a black T-shirt and miniskirt. There were about 30 friends at the party, male and female; we listened to music and chatted. It was innocent fun, no alcohol or drugs.

Without warning, not even a knock, the religious police—government-funded groups that enforce Islamic morality—threw open the door and started shouting. It's illegal in Iran to wear "indecent" clothes like miniskirts, to listen to music if it's not approved by the government, and to party with the opposite sex—although people hold gatherings like this in the privacy of their homes all the time. (We learned later that a guy who hadn't been invited to the party had reported us, to get revenge; he thought the party would simply get shut down.) I panicked and ran out the back door with a friend, which is the worst possible thing we could have done. But I was scared; the religious police, with their long, dark beards, are notoriously brutal.

My friend and I fled out into the street; we knocked on neighbors' doors, looking for a place to hide. The officers followed us, shouting. When they yelled, "Stop or we will shoot you!", I obeyed, because I knew they would carry out that threat. A policeman walked up behind me and swung the butt of his gun against my back so hard that I fell to the ground. Then the officers dragged me back to my friend's house, where the police searched all of our bags and pockets. One policeman found my Koran, which I always carried with me; it made me feel safe. He hurled it at my face and asked if I knew what the Koran meant. (In his mind, it wasn't possible to wear fashionable clothing and also have faith.) Then he started rapping me on the head with his pen, before handcuffing me to a friend and shoving everyone into a van.

The police drove us to a local jail, then separated the boys and girls, throwing my 15 girlfriends and me into a barren, rat-infested room—no chairs, no beds, just a cold concrete floor. I looked around and saw a pregnant woman and a woman with a baby, along with several other sullen young women. One woman had clearly been plucked straight from her wedding; she sat quietly on the floor in her flowing white dress. I wondered what she had done "wrong."

We stayed overnight there on the floor, with no food or water. We had no idea what would happen to us, or how long we would have to remain there. My friends and I kept mostly to ourselves, trying not to attract any attention. We could hear rats crawling on the floor and screams from down the hall. If we needed to use the bathroom, we had to ask a guard's permission. There were squat toilets right out in the hallway, and no sinks. One woman informed us that an inmate had been raped with a Coke bottle by other prisoners. I was terrified that this might be my fate.

The next day, my mother arrived with some of the other moms, and I felt overjoyed to see her. She brought my favorite meal: rice and kebabs. But it wasn't exactly a happy feast. As my friends and I ate, all eyes were on us. The other women in our cell were hungry, too.

Two days turned into three, then four. Every day during adhan, the Islamic call to prayer that occurs three times a day, the guards would come and bark at us to line up and prepare to be lashed. We'd stand there for 40 minutes, but they never delivered on that threat. I'd always loved the adhan and found it beautiful, but that week, I came to dread it.

On the afternoon of the fifth day, the guards rounded up my friends and me, pushed us into a bus, and drove us to a nearby court. We weren't allowed to have lawyers or to defend ourselves. The sentence simply came down from the judge: 50 lashes for the boys, 40 lashes for the girls. We were guilty of breaking Islamic rules: wearing indecent clothing, having a party with both genders in attendance, listening to Western music. Some of the parents tried to negotiate on our behalf, even offering to trade their businesses for our sentences, but they were denied.

We were immediately driven to a small concrete jailhouse near the courtroom, where the guards lined us up in the hallway, boys on one side, girls on the other. Our parents were there, too, and they managed to slip some money to the guards to lessen the severity of our lashes. I don't think the guards upheld their end of the deal, though. I don't see how the beating could've been any worse.

I hated that my family had to hear my lashing; the police wanted our parents there to teach us all a lesson. The beating lasted for what felt like an eternity. In reality, it was over in 10 minutes. Those 10 minutes changed my future.

When I was released, I hugged my parents more tightly than I ever had before. I'll never forget that seemingly interminable car ride home. We all just sat in silence; my family simply didn't know what to say. When I got home, I headed straight for the shower and sat on the tile floor for six or seven hours, just letting the warm water run over me. I felt so dirty. I desperately wanted to feel clean.

But the fear was not over yet. Officials at my high school called that same day, demanding to know why I had attended the illegal party. I was terrified that they would kick me out and I wouldn't get to graduate with my friends. However, since I had only a few months left until graduation, the school decided to let me return.

In those first few weeks after my beating, I felt like I was in a state of shock, a sort of trance. I kept to myself, and I barely left the house except to go to school. The physical scars healed, but the emotional scars would not go away so easily; in order to cope, I just tried to block out what had happened. I simply wouldn't let myself think about it.

After graduation, my parents felt that it would be good for me to get out of Iran for a while, so I went to Dubai and stayed with friends. I had always planned to study law after high school, but in Dubai, a different idea began to take shape in my mind. I started thinking about doing something that would somehow celebrate women.

A few months later, I moved to Washington, D.C., to live with a relative. (I'd actually been born in the States—my family had lived in the U.S. for a brief time—so I had a passport and didn't need a visa.) At my new home in D.C., surrounded by American women who were free to wear what they want and think what they want, I knew exactly what I wanted to do: I would become a fashion designer. Because to me, fashion equaled freedom.

I'd always loved sewing. As a girl, I watched my mother, an interior designer, sew beautiful pillows and curtains for our home. I tried to emulate her, stitching an array of cool outfits for my Barbie. (I couldn't actually buy any Barbie outfits in Iran since the dolls were illegal there.) I used the best materials—a swatch from my father's leather sofa, a snip from the bottom of my mother's mink coat, much to her dismay. Fashion had been a hobby for me while I was growing up, but in light of my lashing, I wanted it to become more. I felt that women should feel proud of their bodies, not ashamed of them.

Of course, I had everything going against me: I had no fashion training; I couldn't even speak English. So I started from scratch. I took language classes and studied determinedly each night. I bought a book at Barnes & Noble about how to write a business plan. Then I researched things like pattern making and manufacturing. I visited clothing factories, fabric distributors, and showrooms to learn everything I could about the industry. My family helped me out with money, and I also worked at a local boutique. Finally, I started designing my own line, with some fun, funky, off-the-shoulder tops.

Five years later, I was at a friend's party one night, when a guy complimented me on my top—a black cotton tee with a silver pocket and studs along the bottom. I said, "Thank you—I made it myself." He asked if I was a designer, and I said that I was trying to become one. His response: "Why are you just trying?" He became my first investor and helped me get my business off the ground. I named my line Dar Be Dar, which means "door to door" in Persian.

Today, I'm 27 years old, and my designs are in boutiques in Miami, Los Angeles, San Diego, and Dubai. I also sell my clothes directly through my website, darbedar.net. I make sexy bikinis, tops, and leggings, all by hand. This past year, I had a show at Miami Fashion Week. Now I'm planning to launch a T-shirt line inspired by the revolutionary movement in Iran. The line is called Lipstick Revolution, in honor of women around the world who are fighting for their freedom.

The punishment I suffered in Iran put my life on a different course. To this day, when I hear the adhan, I'm brought right back to the terror I felt in that Iranian jail. But now, with some distance, I can see that the experience made me who I am—and made me appreciate my freedom, instead of taking it for granted. One thing that hasn't changed is my faith. I'm still very proud to be Muslim and Persian. I'm excited to be pursuing my dream of becoming a fashion designer, and I hope that I can inspire, and maybe even help empower, other young women. For me, each day is now a dream filled with creativity, freedom, and safety. And yes, I still carry my Koran with me wherever I go.

Michele Shapiro is the editor of the website drivelikeawoman.com and the head of communications and outreach at New York University's Center on International Cooperation.

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